My Worship Pedalboard

Every so often I get asked in the comments what kind of gear I use on a Sunday morning. While certain things change from time to time, I’ve been consistent over the years with a Fender Telecaster and a Tube Amp (currently my beloved Benson Monarch.)

Below is a quick rundown of my main rig. It’s a rig made up of compromises. Since it’s not the biggest in size, I can’t have everything I want, so these pedals are compromises that allow me to get the sounds I need within the constraints I have set before me.

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HERE COMES THE BUCKET BRIGADE: ANALOG DELAY IN WORSHIP

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

WHAT IS ANALOG DELAY?

I’m not going to bore you with the technical details, but a truly analog delay uses a Bucket Brigade Chip set up (BBD) to create a delayed repeat of the notes you play. An analog delay is way more portable than a tape delay and since it doesn’t have moving parts, far more reliable. It’s easy to see why pro level guitar players made the switch and why the average guitar player embraced the technology.

Analog delay is known for it’s dark and warm tones and repeats. Great for just about any style of music, the only real limitation for a BBD style delay pedal is how long the delays can go for (usually around 400-600 ms).

The delay sounds on early U2 records are just a EHX deluxe Memory Man with a Ross style compression before it, going into a Vox AC30. (see example HERE) Ofcourse in the world of P&W, guitarists like James Duke use analog delays like the Boss DM-2 or EHX DMM all over the place.

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