The Electric: Signal Chain

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll continue the conversation about finding the best amp for worship.

 

How have I never written a Signal Chain post? It’s almost criminal. Signal Chain posts are the Tube Screamer’s of guitar blogging! So after two and a half years, I think it’s finally time.

SIGNAL CHAIN

So you’ve got some pedals now, and you’re putting them together. Maybe they’re all Boss pedals (which is pretty much all we had back when I started) so you’ve just ordered them by color. That’s ok right? Well… not quite.

We order in pedals in a certain way (signal chain) because of the effects it has on the sound waves. For example a vibrato pedal affects the shape of the wave form while a delay pedal just repeats that shape. So the order you put the pedals affects the sound you get, and in some cases the way a pedal will act or respond.

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Gear Review: TC Electronics Alter Ego Delay

BRAND: TC Electronics

MODEL: Alter Ego Delay (Flashback). The Alter Ego is essentially the same as the Flashback but with two different presets and different paint job. Only available at proguitarshop.com. This review is for the Alter Ego (although very applicable for the Flashback delay)

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The Electric: Reverb

I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about Reverb, Reverb Pedals, and how that works in a church band.

The simple definition of Reverb (or Reverberation) is that it is created when a sound is produced in an enclosed space causing a large number of echoes to build up and then slowly decay as the sound is absorbed by the walls and air in a room. The Reverb effect has been in use for Decades, from 50’s rockabilly, to 60’s surf. From 70’s classic rock to 80’s New Wave. Reverb was key to Pearl Jam influence on the “grunge” sound and Radiohead’s OK Computer (as well as every other Radiohead album). John Mayer, The Shins, Kings of Leon. Everyone uses Reverb. Everyone talks about Delay in The Edge’s U2 guitar sound, as well as Coldplay ripping off that sound, but the truth is that without reverb neither band gets the classic sounds they are known for.

I’m not going to talk about settings or different pedals or anything like that. There are a lot of good reverb pedals out there and you should go and check them out. What I want to talk about is why I use reverb and how I use reverb.

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The Electric: Be Versatile.

One Trick Ponies & Swiss Army Knives

I saw a really good blues/rock band the other day. They were really good and looked like they were having a lot of fun doing it. I noticed how simple the guitar set up was: Fender Stratocaster into an Orange Tube amp. No effects besides a compressor and the amps gain or “dirty” channel. I was really impressed and kind of ashamed at the size of my rig, until I realized… He’s only set up to do one thing. Church bands don’t work that way.

Even if your church is solely CCM (Chris Tomlin, Phil Wickham, David Crowder, Mercy Me, etc) that is a wide range of sound. Playing electric guitar would be a little bit different for each of those bands.

The point I’m making is that we don’t have the luxury of being set up for one thing like the blues band. If we want to serve better we need to be set up for variety both short term and long term.

The Short Term

This is nothing more than being aware of versatility. I’ve got more than one guitar playing friend who say they can only do one thing. I know thats not true. I know they are immensely talented and gifted by God.

The issue for my friends is to mentally move past being a one trick pony and become a Swiss army knife: yes I can rock, but I also know how to fill in or learn a new chord past AC/DC power chords.

The short term answer is nothing more than a mental decision to see the world in a little bit bigger way

The Long Term

In an earlier edition of “The Electric” I talked about the 3 overdrive pedals I use. But the truth is that for a long time, I only had 1: the Fulltone Plimsoul. The Plimsoul is by far one of the most versatile pedals I’ve ever owned. It represents my desire for versatility. I want to be set up to play country, modern rock, classic rock, indie rock, pop, U2, and ambient/experimental. I want to be able to come in a create whatever sound is needed by the song and by the worship leader.

This is a long term thing. I’ve built up my rig over the years. That’s why you start short term and work long term.

Working It Out

Guitar
One of the great myths is that you have to have a Fender Telecaster to play country. Don’t get me wrong, it’s great. I have a ’98 American Standard Tele as my primary guitar. But I’ve gotten country tone out of Gretsch’s, Les Paul, and Strats. What a lot of folks don’t realize about the Tele is what a great blues/jazz guitar it is. That being said, for jazz, a Rickenbacker or Jackson might not work out for you so well.

The point I’m making is that some guitars are very specific (Rickenbackers, metal/shredders, etc) in their sound. Some guitars are very versatile. When picking your guitar, look for one that can pull off a lot of sounds. For my money this would be a Telecaster, Les Paul or Stratocaster type guitar. You can get a Tele or Strat with hum-buckers or a Les Paul with tap coils so it can be single coil as well or a Tele or Strat with humbuckers installed.

Pedals

You know the needs of your band and church, but some pedals do one thing really well, some can do a lot of things. I use the TC Electronics Toneprint series for my reverb and delay and I feel like I’ve only scratched the surface of the sounds I can get. I have 3 OD pedals for 3 different “levels” of gain/overdrive. Other great options: The DL4 delay from Line6. The GT-500 distortion/clean boost from Fulltone. King of Tone OD by Analogman (if you can get it). The point isn’t for me to have more toys, but for me to have more tools.

Amps
Most of the tube amps out there have their own sounds but will all work. Fender, Vox, Orange, Marshall, they are all used by musicians in all different genres. I’ve used Ashdown, Marshall, Fender and Vox amps. As a general rule I always go with tube amps, although I’ve seen some solid state amps that sounded just fine. currently I use a Egnater Tweaker 15 that is capable of getting Marshall, Fender, and Vox voicings while being all analog.

Digital
If you want to be versatile, then there is no easier way than going digital. I used a POD XT Live and Variax digital modeling guitar for several years, and it was VERY versatile. It also didn’t sound right. It was 70% at best. Digital can be a great short term solution. You can get a lot of sounds and options for a great price. But in the long run (with a few exceptions, mostly delay) you will get better quality and flexibility by staying analog.

The Point

As electric guitar players in a church band, we are musical servants. If we show up just doing “our thing”, we aren’t serving. learning about these different aspects of guitar playing help us Serve better. Have any thoughts? Better ideas? Disagreements? Chime in down in the comments section.