The Electric: Knobs, Switches, and Settings

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about playing without effects or pedals.

 I’m a little hesitant to write this post. When I write in general it just about my experience and things I’ve picked up over the years. But I’ll fully admit that I’m still learning more and more about how the guitar and amp work on their own. Effects pedals are great, but they can do us a disservice by letting us cut corners and thus not forcing us to learn about the relationship of the guitar and the tube amplifier.

Younger players often rip on older player who seem to only want to relive the classic rock glory days of the 70’s and 80’s (and if that’s you it’s time to learn some new tricks 😉 ) but I’ve gained an invaluable amount of insight from those older players who can do more with just a guitar and amp than you or I could with 12 pedals. So here’s some thoughts on what happens when you choose to or are forced to play with out effects in your rig.

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The 5 Point Band

Let’s be honest about two things:

1. Church bands tend to “overplay” and step over each other on a regular  basis

2. Church bands are often a hodge podge of who’s available instead of who is needed.

What I’m going to suggest will hopefully unmuddy the waters sonically speaking and give structure to arranging and picking your church’s band for a worship service.

When I put a band together for a Sunday or Wednesday I first look at who is available. It’s all well and good to want a thick analog synth sound on a song but if all your keyboard players are on vacation, you’ll need to rethink your plans. Once I know who is available, I start to fill roles based on my “5 point band”. I admit that I don’t always do it consciously, because I’m so used to doing it. But it’s always there in the background of my mind. So here are the 5 points that I look for to put a band together. I’m going to write them in order of importance.

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The Electric: Chord Voicing

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about chord voicing and how they can be used when playing in the church band.

 

THERE IS MORE THAN ONE WAY TO PLAY THE G CHORD

A while back I was asked to play electric guitar at the last minute. The church had an electric and an amplifier and that was it. No overdrive pedal, no delay, the amp  had some reverb but the options were pretty much just “on” and “off'”. What’s a guitar player to do?

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The Electric: Setting Up A Guitar Rig For Worship. Part 3-Effects Pedals

I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about setting up your electric rig for the first time or upgrading it to something better, specifically Effects. This is part 3 of a 4 part series. Part 1 can be found HERE, Part 2 can be found HERE. Part 4 can be found HERE.

THIS PART IS A LITTLE QUIRKY

I’m writing these posts in order of what I think it the most important part of getting a good sound in your guitar rig: Amplifier>Effects Pedals>Guitar. Here’s where it gets a little quirky, because while I think that effects pedals do more for the overall tone of a guitar rig, I wouldn’t buy them before buying a guitar. You can’t play guitar if you don’t own one. So I you have a budget to spend on setting up a guitar rig for worship, put the effects pedals at the bottom of the list (just this one time). This is why I encourage people setting up a rig to get an amp with onboard effects (Vox AC15, Fender Hot Rod Deville, etc) so that you save money on the initial set up costs.

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The Electric: Reverb

I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about Reverb, Reverb Pedals, and how that works in a church band.

The simple definition of Reverb (or Reverberation) is that it is created when a sound is produced in an enclosed space causing a large number of echoes to build up and then slowly decay as the sound is absorbed by the walls and air in a room. The Reverb effect has been in use for Decades, from 50’s rockabilly, to 60’s surf. From 70’s classic rock to 80’s New Wave. Reverb was key to Pearl Jam influence on the “grunge” sound and Radiohead’s OK Computer (as well as every other Radiohead album). John Mayer, The Shins, Kings of Leon. Everyone uses Reverb. Everyone talks about Delay in The Edge’s U2 guitar sound, as well as Coldplay ripping off that sound, but the truth is that without reverb neither band gets the classic sounds they are known for.

I’m not going to talk about settings or different pedals or anything like that. There are a lot of good reverb pedals out there and you should go and check them out. What I want to talk about is why I use reverb and how I use reverb.

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The Electric: Getting “That Sound”

Each Week I’ll try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about getting “That Sound”

 

Have you ever wondered how your favorite guitarist or band gets “that sound”? Maybe you’ve looked up all their gear on the internet. Then maybe you’ve done the math and realized that their gear would cost you what you make in a 5 year period or more. Can you get “that sound” as a normal guy trying to put a rig together on a budget?

What Do You Want?

If you just bought a Boss Metal Zone distortion but want to do country you may be on the wrong track. Define the sound or sounds you want. What do you like? What does your church band play? Do you play other stuff outside of church? My rig has purposely been set up for country (Buddy Miller, Johnny Cash, Ryan Adams), U2/Coldplay (which means i can do any Christian worship band that rips off those bands cough. cough. Hillsong. cough.), and  rock (Death Cab For Cutie, Arcade Fire, Daniel Lanois) and REM (I rip off Peter Buck a lot)

Do Your Homework

There is no way around it. You have to do the research to know what you want, what musical and technical terms mean, and what gear is right for you.

Let’s say you’re an acoustic guitar player who wants to branch out. You’ve had an old Stratocaster lying around and you’ve decided to play more. Start with something as simple as reading the Wikipedia page on Effects Pedals. Learn the difference.

After you’ve learned what kinds of pedals there are and what they do, you’ll have to figure out what you need. Read up. If you like a certain style of music and you find that a lot of the bands you like use the same pedals (Boss DD-3 Delay or Line 6 DL4 Delay for examples) then that would be a starting place.

Versatility

Let’s say you love August Burns Red and Metallica before the Black album and love to jam at home to those riffs, but the church band you play with wants really bad to sound like David Crowder band. A “metal zone” or similar pedal will pretty much only get you one sound. A Tube Screamer into a tube amp that’s cranked on the “hot” channel with it’s Mids scooped will give you Metallica’s Ride the Lightening, and then if you set the amp to clean it can give you 20 other bands from U2 to Stevie Ray Vaughn. Metallica, U2, SRV all use some version of the Ibanez tube screamer. 1 pedal 3 sounds is a much better value than a single genre pedal.

Most of us are on a budget. Putting a rig together will take time. If you can buy 1 pedal to do the job of two or three then you’ll be better off 9 times out of 10.

Boutique is Not Always Better

Speaking of the Ibanez Tube Screamer. Everyone has one. Brad Paisley, the Edge, SRV. Another pedal that I constantly read about on pro guitar players boards is the Boss DD-3 (or DD-5,6, or 7) or the Boss RV-5 reverb. What I’m saying is that if you read gear forums or blogs or talk to the guy in the Guitar Center trying to upsell you, they’ll for the best sound you really need this [insert more expensive pedal here]. The reality is that a stock TS9 and a lower end TC Electronics Reverb are my go to pedals.

It’s Not Always Pedals.

I was talking to a guy who was asking me how to get the sound and tone from some Hillsong guitar player. I jokingly told him to just rip off the Edge 🙂 But then I looked at the Youtube clip he had sent. The reality was that for all the different pedals he had at his disposal 80% of what was going on was because he was playing through a nice Amp. U2 uses VOX AC-30’s. Coldplay uses Fender Deville’s. Brad Paisley uses Dr. Z. Buddy Miller uses Swart. Metallica used Marshalls and later Messa Boogie’s. The point is that if you have an electric guitar and you have money you’ve saved up you would often be better off getting a good amp than a bunch of effects pedals.

What’s the Point?

It’s worship all about Jesus and not about gear? Yes. but if you look at your pastor’s office you’ll probably find a lot of books (commentaries, maps, histories, dictionaries). Maybe he has a computer with bible software or an ipad with all his notes. These are all tools to preach the gospel and teach the bible. Musical gear are tools make music to praise Jesus, serve His church, and share the gospel or respond to Bible teaching in song. Just as a pastor needs to learn to put a message together, musical servants in the church need to learn how to put a song together. All for the Glory of Jesus.