The Electric: Overdrive Overkill

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about the different types of overdrives, and why you may be wasting money on your rig.

Note: Any opinions or gear recommendations I give are my own based on my own experience. No company pays me to endorse them. But I can be bought! 😉

So if any guitar, amp, or pedal maker wants to send me there stuff they can contact me HERE 

 

I’ve written about Overdrive pedals in worship many times in the past. HERE, HERE, HERE and HERE for example. My point today isn’t to talk about how to use them or which one is the best. My point is today is to talk about a common mistake that many guitarists (both worship and otherwise) make in selecting and purchasing the overdrive pedals in their rig and how this can end up costing you needless dollars.

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The Electric: The Best Overdrive Pedal For Worship

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about overdrive and gain pedals worship bands.

 

What is the best overdrive pedal for a worship guitar player?

The question is asked constantly on Google searches, blogs, forums, and even people who find their way to this blog.

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Does The Worship Leader Have To Sing?

For someone out there, this is going to be a mind blowing, revolutionary thought. So by all means, feel free to sit down for a moment and catch your breath.

For the rest of you, who hopefully get the playful spirit in which I wrote the above sentence, this is a valid conversation for us to have.

In some church traditions, this is a pointless conversation with an obvious answer: of course not. But for many evangelical churches, the question I posed would mean a complete paradigm shift. The worship leader is ALWAYS the person singing. Whether they sing on their own, or if they are also the piano player, guitarist, or even bass player, the worship leader always sings. I’m going to propose that maybe this thinking is why your church’s music ministry is struggling.

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“Let’s Sing That Again”: Vocals Cues In The Worship Service

Last week I was at a Pastor’s Conference where many different worship bands and leaders served leading us in worship before the sessions. Almost all of them fell victim to the trap of overusing vocal cues in their leading. What is a vocal cue? Why would someone use them? How can someone overuse them? Well, let’s talk about it.

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The Electric: Chord Voicing

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about chord voicing and how they can be used when playing in the church band.

 

THERE IS MORE THAN ONE WAY TO PLAY THE G CHORD

A while back I was asked to play electric guitar at the last minute. The church had an electric and an amplifier and that was it. No overdrive pedal, no delay, the amp  had some reverb but the options were pretty much just “on” and “off'”. What’s a guitar player to do?

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The Electric: Setting up a Guitar Rig for Worship. Part 2- Amplifiers

I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about setting up your electric rig for the first time or upgrading it to something better, specifically amplifiers. This is part 2 of a 4 part series. Part 1 can be found HERE. Part 3 can be found HERE. Part 4 can be found HERE

The Most Important Thing

As I said in the last post, I believe the amplifier is the most important part of the guitar rig. I didn’t always think so, I used to think that the most important thing was to get the right guitar. This thinking stemmed from years of acoustic guitar playing where the guitar is everything in getting a good sound. For years I barely gave the amplifier a second thought beyond how loud it could get. Then one day I was in a guitar shop trying out a reverb pedal when it struck me that this pedal will never sound as good in my rig because my amp wasn’t as good. It wasn’t a bad amp, but it just wasn’t able to compete. So I sold some gear and bought a very good mid-priced amp, and switched my long term gear savings plan from a high end guitar to a high end amplifier which I hope to get in a few years. Since that time I have not regretted that decision. A great amp can make so/so guitars and effects sound much better, while a great guitar will be hamstrung by a low quality amp.

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The Electric: Getting “That Sound”

Each Week I’ll try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about getting “That Sound”

 

Have you ever wondered how your favorite guitarist or band gets “that sound”? Maybe you’ve looked up all their gear on the internet. Then maybe you’ve done the math and realized that their gear would cost you what you make in a 5 year period or more. Can you get “that sound” as a normal guy trying to put a rig together on a budget?

What Do You Want?

If you just bought a Boss Metal Zone distortion but want to do country you may be on the wrong track. Define the sound or sounds you want. What do you like? What does your church band play? Do you play other stuff outside of church? My rig has purposely been set up for country (Buddy Miller, Johnny Cash, Ryan Adams), U2/Coldplay (which means i can do any Christian worship band that rips off those bands cough. cough. Hillsong. cough.), and  rock (Death Cab For Cutie, Arcade Fire, Daniel Lanois) and REM (I rip off Peter Buck a lot)

Do Your Homework

There is no way around it. You have to do the research to know what you want, what musical and technical terms mean, and what gear is right for you.

Let’s say you’re an acoustic guitar player who wants to branch out. You’ve had an old Stratocaster lying around and you’ve decided to play more. Start with something as simple as reading the Wikipedia page on Effects Pedals. Learn the difference.

After you’ve learned what kinds of pedals there are and what they do, you’ll have to figure out what you need. Read up. If you like a certain style of music and you find that a lot of the bands you like use the same pedals (Boss DD-3 Delay or Line 6 DL4 Delay for examples) then that would be a starting place.

Versatility

Let’s say you love August Burns Red and Metallica before the Black album and love to jam at home to those riffs, but the church band you play with wants really bad to sound like David Crowder band. A “metal zone” or similar pedal will pretty much only get you one sound. A Tube Screamer into a tube amp that’s cranked on the “hot” channel with it’s Mids scooped will give you Metallica’s Ride the Lightening, and then if you set the amp to clean it can give you 20 other bands from U2 to Stevie Ray Vaughn. Metallica, U2, SRV all use some version of the Ibanez tube screamer. 1 pedal 3 sounds is a much better value than a single genre pedal.

Most of us are on a budget. Putting a rig together will take time. If you can buy 1 pedal to do the job of two or three then you’ll be better off 9 times out of 10.

Boutique is Not Always Better

Speaking of the Ibanez Tube Screamer. Everyone has one. Brad Paisley, the Edge, SRV. Another pedal that I constantly read about on pro guitar players boards is the Boss DD-3 (or DD-5,6, or 7) or the Boss RV-5 reverb. What I’m saying is that if you read gear forums or blogs or talk to the guy in the Guitar Center trying to upsell you, they’ll for the best sound you really need this [insert more expensive pedal here]. The reality is that a stock TS9 and a lower end TC Electronics Reverb are my go to pedals.

It’s Not Always Pedals.

I was talking to a guy who was asking me how to get the sound and tone from some Hillsong guitar player. I jokingly told him to just rip off the Edge 🙂 But then I looked at the Youtube clip he had sent. The reality was that for all the different pedals he had at his disposal 80% of what was going on was because he was playing through a nice Amp. U2 uses VOX AC-30’s. Coldplay uses Fender Deville’s. Brad Paisley uses Dr. Z. Buddy Miller uses Swart. Metallica used Marshalls and later Messa Boogie’s. The point is that if you have an electric guitar and you have money you’ve saved up you would often be better off getting a good amp than a bunch of effects pedals.

What’s the Point?

It’s worship all about Jesus and not about gear? Yes. but if you look at your pastor’s office you’ll probably find a lot of books (commentaries, maps, histories, dictionaries). Maybe he has a computer with bible software or an ipad with all his notes. These are all tools to preach the gospel and teach the bible. Musical gear are tools make music to praise Jesus, serve His church, and share the gospel or respond to Bible teaching in song. Just as a pastor needs to learn to put a message together, musical servants in the church need to learn how to put a song together. All for the Glory of Jesus.

The Electric

Each Week I’ll try and address different aspects of the electric guitar in church music.

This week we’ll talk about leading with the electric guitar itself.

“Switching from Acoustic Guitar to Electric Guitar can be a fun adventure as a musician and artist. Seek excellence with a servant’s heart, and I’m sure that it will be a blessing to your worship team and church.” — Brian Logue

What’s the Point?

I guess my first question is why? Why are you leading with an electric guitar instead of an acoustic. Most worship leaders I’ve met started out leading on an acoustic guitar. There are a number of reasons. 1. It’s cheaper to buy an acoustic than an electric and all the gear that comes with it. 2. When a church is starting out, acoustic instruments make more sense. 3. The church wouldn’t accept an electric guitar leading before now, and various other issues and reasons.

These are all valid reasons why a worship leader started out on an acoustic guitar. I’m challenged personally that my reason for switching instruments should be equally as valid. Some one said you should “Ask Why 6 Times” before you do a major change, and I think that might be valid here.

1. Why am I switching Instruments, is it for me or to serve others? 2. Does the style of expression in my church fit this change? 3. Does the Style of Expression at my church need to change? 4. Do the musicians in the band have the skill set to make this change?  5. What are the practical realities of this change? (PA/sound system, set up time, etc) 6. What are the positive benefits of this change?

You’re questions and Why’s will probably be different depending on the situation but it’s great to ask them and feel free to chime in with you list of “Why’s”

It’s NOT the Acoustic Guitar

It sounds like I’m stating the obvious right? An electric guitar is plainly not an electric guitar Adam, we all can see that. Yet I’ve seen many a church band leader make this mistake. For whatever reason they want to lead with an electric guitar instead of their acoustic, and  so they pull out their axe, plug it in, and start strumming away. The problem with this that it often sounds awful. The tones, timbres, and range of an electric are different than an acoustic, and if we don’t recognize this fact we’ll be starting off on the wrong foot before practice even begins.

We Need to Know What We’re Doing

Before we lead worship with an electric guitar it’s probably a good idea to do some research. Blogs like this one are a great tool, also reading guitar forums to see if there are any amp settings or effects that might be helpful. A few years back I was playing bass for a worship band and the leader (who was fairly new in the role) showed up one day with his electric and didn’t know why it didn’t sound right when we were practicing. When he asked me we changed his Pick Up selection and changed his effect settings. I didn’t mind helping out but it showed that he hadn’t recognized that he was now playing a different instrument.

Personally, if I were leading by myself with an electric I would be on the clean channel of the amp, using the Neck Pick up with a little bit of reverb an maybe (just maybe) my lightest Overdrive effect.

If I were leading with the band, I would probably have the amp set the same way, but use have both Pick Ups selected, with reverb and using light to medium overdrive on some (not all) of the more up tempo songs.

In both cases a small amount of tremolo might be good for some atmosphere, especially on a slower song that has a darker or more somber feel musically.

Tone

If you switch instruments your tone will change. An acoustic guitar has a different Tone and sonic signature than an electric guitar. There is nothing wrong with that, but in recognizing it we can make adjustments for it. If there is a week with no bass player in the band I generally tell the piano player to ride the “low end” of the keys. If I’m removing certain sounds from the music by switching types of guitars, sometimes I might want to replace them with a 2nd guitar player, or a what range the piano plays in or whatever musical talent you may have a your church to accomplish such a change.

Also, having communication with the sound guys is a big help here. They’ll have to mix things a little different and so having a conversation going on already should be helpful.

The End Goal

The point of all of this is to learn how to better connect people with Jesus. Music is a great tool for us to express things that mere words could never hope to do. If you read my post on “Who the Music is Geared To” you’ll see that one week using an electric set up would work well for connecting with one crowd and I would use the acoustic the next week to connect with a different crowd with the end goal being the same: Jesus.

For further reading, here’s a link to another blogs post with a different take on the same subject: Leading With Electric