Gear Review: JHS Twin Twelve

BRAND: JHS

MODEL: Twin Twelve Overdrive

COST: $199

WHAT IT IS: The JHS Twin Twelve is an “amp-in-a-box” style overdrive that emulated the sounds of the vintage Silvertone Twin Twelve 1484 tube amp produced for a few years in the 1960’s by Danelectro for the Sears catalog. It was a low-end budget amp that was over looked in favor of amps by Fender, Vox, and Marshall. Up until a few years ago, you could find them for dirt cheap on eBay. Then artists like Beck, Jack White, Death Cab for Cutie, and even Coldplay started recording with them. The lead riffs on Death Cab’s “Your a Tourist” and Coldplay’s “Always In My Head” are both from a 1484 amp. In part because of this, a Twin Twelve amp now goes for 4 to 5 times what you would have paid a few years back.

I tried the JHS Twin Twelve with just about every pedal I own, as well as straight in to my Fender Princeton Reverb from my Danocaster Jazzmaster and my Fender Telecaster.

The Twin Twelve includes an active EQ for treble and bass like you’d find on a real amp, and a drive knob that controls the amount of gain. While the original 1484 amp didn’t have a master volume, Josh and his crew have added a Volume knob that accomplishes that feature, which is where all the pedals flexibility comes in.

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Fall Q&A. Effects Pedals. Acoustic Worship, and Three Headed Delays.

Once a season I look over the Google searches (and the 1 Bing search too) and see what brings people to this blog. I then take the themes or direct questions from those searches and form a sort of Q&A. While the Fall 2014 edition will be a little effects pedal heavy, I think there’s some take aways that non-pedal using worship leaders will find helpful.

Continue reading “Fall Q&A. Effects Pedals. Acoustic Worship, and Three Headed Delays.”

The Electric: Fuzz In Worship

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about using Fuzz pedals in worship.

The question is asked often enough on internet forums and blogs: Can I use a Fuzz pedal in worship? The answer to this question is the answer to every gear related question the church guitarist may ask: Yes. Maybe. Depends.  So as we walk through the reasons why or why not to use Fuzz pedal at church, you can take the same principles and apply them to any other piece of gear.

So… can I use Fuzz in Worship?

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The Electric: Signal Chain

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll continue the conversation about finding the best amp for worship.

 

How have I never written a Signal Chain post? It’s almost criminal. Signal Chain posts are the Tube Screamer’s of guitar blogging! So after two and a half years, I think it’s finally time.

SIGNAL CHAIN

So you’ve got some pedals now, and you’re putting them together. Maybe they’re all Boss pedals (which is pretty much all we had back when I started) so you’ve just ordered them by color. That’s ok right? Well… not quite.

We order in pedals in a certain way (signal chain) because of the effects it has on the sound waves. For example a vibrato pedal affects the shape of the wave form while a delay pedal just repeats that shape. So the order you put the pedals affects the sound you get, and in some cases the way a pedal will act or respond.

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James Duke Interview

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

David Santistevan interviewed guitarist James Duke recently for the “Beyond Sunday” podcast. James has played on records for artists like Matt Redman, John Mark McMillan, Elevation Worship and others. He has his own band called “All The Bright Lights”. The delay pedal is a huge component of his guitar tone. Hopefully you find this worthwhile.

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The People Vs. JHS Pedals (UPDATED)

ppl vs jhs

UPDATE (6-8-17): I wrote this article three years ago. Since then it has become the most read thing I’ve ever written, no other post on this site comes even close. Hopefully people who’ve found this article have read other posts here that deal with far more pleasant and hopefully helpful subjects. I have updated this post to reflect the recent charges about JHS and it’s links to the church group known as The International House of Prayer (IHOP) and it’s treatment of the LGBTQ community. Beyond that, nothing has changed and my position remains the same.-Adam, Real World Worship.

Warning: This is a long post. It’s not about worship, or even electric guitar playing. It’s about a company called JHS pedals, that many worship musicians buy gear from. It’s about accusations that have been made on guitar & gear forums and blogs all across the internet, and my personal journey trying understanding the sometimes shady world that is the guitar industry.

Disclaimer: If you read this post (and you may not want to… ignorance is bliss after all) , I ask that you read the whole thing before making any judgements. I’m using the courtroom motif on purpose and I’m trying to build an entire case, so if you read only one part you won’t get the full picture. I ask that you understand that I’m trying my best to be impartial. I also ask that you understand that these are just my opinions and observations, although I have tried to provide some level of documentation.

Author’s Note: I feel confident in saying that no one else has done the research I have on this topic. I certainly have not seen evidence of it anywhere else. For this blog post I spoke to many of the parties involved, although I’m choosing to keep all of those conversations off the record. I also talked to friends (or friends of friends) who work in the guitar/effects industry at many different levels to hear their take.  None of those conversations have made it directly into this post. I’ve keep them all off the record for the purpose of fact checking, logic checking and thought process vetting, and to get a feel for how the industry works. I read, and reread forum posts. I tracked down articles and forum threads dating back several years. I joined forums that I wouldn’t have otherwise because I wanted to read and see evidence on threads that were linked to by bloggers and posters, but were behind membership walls.

This post took weeks to write, months to research, and is probably the hardest thing I’ve done on this blog. In many ways I wish I hadn’t started. There were several times I thought I’d scrap it, even up to a few days before posting. In the end I decided it was what it was and I posted it. So here is the result of my journey:

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The Electric: Attack Of the Clones

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about cloning effects pedals.

Whether you know it or not you probably have one or more cloned pedals on your pedalboard. What are they? Where did they come from? What does it mean? Let’s talk about it.

WHAT IS A CLONE?

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