James Duke Interview

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

David Santistevan interviewed guitarist James Duke recently for the “Beyond Sunday” podcast. James has played on records for artists like Matt Redman, John Mark McMillan, Elevation Worship and others. He has his own band called “All The Bright Lights”. The delay pedal is a huge component of his guitar tone. Hopefully you find this worthwhile.

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Why Use Delay

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

 

There has been a lot written about “HOW” to use the delay effect, specifically in worship music, but less said about “WHY”.  The how may not help you at all until you know the why. For example, if someone is asked about how to use your delay pedal, and they tell you “How” to set it up for slapback sounds, would that help you if you want to create ambient swells? Or if you are playing a lead part, do you want to know how to set up your delay pedal for the rhythm guitar? These are of course rhetorical questions, but they make the point, so in this post we will look at 4 reasons “Why” you would want to use a delay pedal in your worship service.

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Review: Borderland by John Mark McMillan and Other Thoughts

My friends at the Church Collective blog reviewed the new John Mark McMillan record “Borderland” so I don’t have to.

I’ve been a fan of John Mark’s music since “the Medicine”. I hadn’t heard the song How He Loves before that record so I don’t have the hang ups that a lot of people have with it. Since then John Mark released one of my favorite records of the last 5 years: Economy, and now he’s back with Borderland.

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