Spring Q&A: Tongues, Tempo, and Phil Wickham’s Guitar

Every so often I like to look over the Google searches that bring people to this blog. It’s interesting what people look for, and what brings them my way. There are a few great questions, and a few ridiculous questions. What questions are people who stumble upon this blog asking? Let’s find out.

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The Electric: Knobs, Switches, and Settings

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about playing without effects or pedals.

 I’m a little hesitant to write this post. When I write in general it just about my experience and things I’ve picked up over the years. But I’ll fully admit that I’m still learning more and more about how the guitar and amp work on their own. Effects pedals are great, but they can do us a disservice by letting us cut corners and thus not forcing us to learn about the relationship of the guitar and the tube amplifier.

Younger players often rip on older player who seem to only want to relive the classic rock glory days of the 70’s and 80’s (and if that’s you it’s time to learn some new tricks 😉 ) but I’ve gained an invaluable amount of insight from those older players who can do more with just a guitar and amp than you or I could with 12 pedals. So here’s some thoughts on what happens when you choose to or are forced to play with out effects in your rig.

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The Electric: The Best Overdrive Pedal For Worship

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about overdrive and gain pedals worship bands.

 

What is the best overdrive pedal for a worship guitar player?

The question is asked constantly on Google searches, blogs, forums, and even people who find their way to this blog.

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The Electric: Chord Voicing

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about chord voicing and how they can be used when playing in the church band.

 

THERE IS MORE THAN ONE WAY TO PLAY THE G CHORD

A while back I was asked to play electric guitar at the last minute. The church had an electric and an amplifier and that was it. No overdrive pedal, no delay, the amp  had some reverb but the options were pretty much just “on” and “off'”. What’s a guitar player to do?

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The Electric: The Not Cool List

I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk things that aren’t cool but are necessary in creating and maintaining a good electric guitar rig.

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About Capos

A Capo (short for the Italian word “capotasto”, which means head of the fretboard) is device that allows you to raise the pitch of a stringed instrument. If you put a Capo on at the 1st Fret then the key of E become the Key of F. Throw a capon on at the 4th Fret and the key of G become the key of B.

The joke is that worship leaders tend to use them so they can play “in G” no matter what key they are really playing in. There is some truth to that however. Let’s look at why Capo’s are used. What there Pros are. What their challenges are. Lastly we’ll look at what their drawbacks are.

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The Electric: Good Gear

Each Week I’ll try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about having ‘good gear’ and what that does and does not do for you.

My friends who are electricians buy the best insulated boots for work. My friends who are carpenters buy the best saw and hammer they can. My friend who is a programmer told me he uses Apple computers for the same reasons a plumber would buy the best wrench. Men and women in various trades and crafts buy the best tools they can afford to get the job done. Musicians are no different. But what does having the best gear you can afford get you?

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