The Electric: Overdrive Overkill

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about the different types of overdrives, and why you may be wasting money on your rig.

Note: Any opinions or gear recommendations I give are my own based on my own experience. No company pays me to endorse them. But I can be bought! 😉

So if any guitar, amp, or pedal maker wants to send me there stuff they can contact me HERE 

 

I’ve written about Overdrive pedals in worship many times in the past. HERE, HERE, HERE and HERE for example. My point today isn’t to talk about how to use them or which one is the best. My point is today is to talk about a common mistake that many guitarists (both worship and otherwise) make in selecting and purchasing the overdrive pedals in their rig and how this can end up costing you needless dollars.

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The Electric: Knobs, Switches, and Settings

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about playing without effects or pedals.

 I’m a little hesitant to write this post. When I write in general it just about my experience and things I’ve picked up over the years. But I’ll fully admit that I’m still learning more and more about how the guitar and amp work on their own. Effects pedals are great, but they can do us a disservice by letting us cut corners and thus not forcing us to learn about the relationship of the guitar and the tube amplifier.

Younger players often rip on older player who seem to only want to relive the classic rock glory days of the 70’s and 80’s (and if that’s you it’s time to learn some new tricks 😉 ) but I’ve gained an invaluable amount of insight from those older players who can do more with just a guitar and amp than you or I could with 12 pedals. So here’s some thoughts on what happens when you choose to or are forced to play with out effects in your rig.

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The Electric: The Best Overdrive Pedal For Worship

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about overdrive and gain pedals worship bands.

 

What is the best overdrive pedal for a worship guitar player?

The question is asked constantly on Google searches, blogs, forums, and even people who find their way to this blog.

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The Electric: Chord Voicing

In this series I try and address different aspects of the practical side of playing electric guitar in church music. This week we’ll talk about chord voicing and how they can be used when playing in the church band.

 

THERE IS MORE THAN ONE WAY TO PLAY THE G CHORD

A while back I was asked to play electric guitar at the last minute. The church had an electric and an amplifier and that was it. No overdrive pedal, no delay, the amp  had some reverb but the options were pretty much just “on” and “off'”. What’s a guitar player to do?

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The Electric: Redial

 I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about dialing in and re-dialing your sound and settings for Sunday Morning.

Whether you’re playing Sunday Morning or at any other church service, I believe that everyone needs to dial in or re-dial their rigs and equipment for the worship service ahead.

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The Electric: Reverb

I try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about Reverb, Reverb Pedals, and how that works in a church band.

The simple definition of Reverb (or Reverberation) is that it is created when a sound is produced in an enclosed space causing a large number of echoes to build up and then slowly decay as the sound is absorbed by the walls and air in a room. The Reverb effect has been in use for Decades, from 50’s rockabilly, to 60’s surf. From 70’s classic rock to 80’s New Wave. Reverb was key to Pearl Jam influence on the “grunge” sound and Radiohead’s OK Computer (as well as every other Radiohead album). John Mayer, The Shins, Kings of Leon. Everyone uses Reverb. Everyone talks about Delay in The Edge’s U2 guitar sound, as well as Coldplay ripping off that sound, but the truth is that without reverb neither band gets the classic sounds they are known for.

I’m not going to talk about settings or different pedals or anything like that. There are a lot of good reverb pedals out there and you should go and check them out. What I want to talk about is why I use reverb and how I use reverb.

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The Electric: Getting “That Sound”

Each Week I’ll try and address different aspects of the practical side of playing electric guitar in church music.

This week we’ll talk about getting “That Sound”

 

Have you ever wondered how your favorite guitarist or band gets “that sound”? Maybe you’ve looked up all their gear on the internet. Then maybe you’ve done the math and realized that their gear would cost you what you make in a 5 year period or more. Can you get “that sound” as a normal guy trying to put a rig together on a budget?

What Do You Want?

If you just bought a Boss Metal Zone distortion but want to do country you may be on the wrong track. Define the sound or sounds you want. What do you like? What does your church band play? Do you play other stuff outside of church? My rig has purposely been set up for country (Buddy Miller, Johnny Cash, Ryan Adams), U2/Coldplay (which means i can do any Christian worship band that rips off those bands cough. cough. Hillsong. cough.), and  rock (Death Cab For Cutie, Arcade Fire, Daniel Lanois) and REM (I rip off Peter Buck a lot)

Do Your Homework

There is no way around it. You have to do the research to know what you want, what musical and technical terms mean, and what gear is right for you.

Let’s say you’re an acoustic guitar player who wants to branch out. You’ve had an old Stratocaster lying around and you’ve decided to play more. Start with something as simple as reading the Wikipedia page on Effects Pedals. Learn the difference.

After you’ve learned what kinds of pedals there are and what they do, you’ll have to figure out what you need. Read up. If you like a certain style of music and you find that a lot of the bands you like use the same pedals (Boss DD-3 Delay or Line 6 DL4 Delay for examples) then that would be a starting place.

Versatility

Let’s say you love August Burns Red and Metallica before the Black album and love to jam at home to those riffs, but the church band you play with wants really bad to sound like David Crowder band. A “metal zone” or similar pedal will pretty much only get you one sound. A Tube Screamer into a tube amp that’s cranked on the “hot” channel with it’s Mids scooped will give you Metallica’s Ride the Lightening, and then if you set the amp to clean it can give you 20 other bands from U2 to Stevie Ray Vaughn. Metallica, U2, SRV all use some version of the Ibanez tube screamer. 1 pedal 3 sounds is a much better value than a single genre pedal.

Most of us are on a budget. Putting a rig together will take time. If you can buy 1 pedal to do the job of two or three then you’ll be better off 9 times out of 10.

Boutique is Not Always Better

Speaking of the Ibanez Tube Screamer. Everyone has one. Brad Paisley, the Edge, SRV. Another pedal that I constantly read about on pro guitar players boards is the Boss DD-3 (or DD-5,6, or 7) or the Boss RV-5 reverb. What I’m saying is that if you read gear forums or blogs or talk to the guy in the Guitar Center trying to upsell you, they’ll for the best sound you really need this [insert more expensive pedal here]. The reality is that a stock TS9 and a lower end TC Electronics Reverb are my go to pedals.

It’s Not Always Pedals.

I was talking to a guy who was asking me how to get the sound and tone from some Hillsong guitar player. I jokingly told him to just rip off the Edge 🙂 But then I looked at the Youtube clip he had sent. The reality was that for all the different pedals he had at his disposal 80% of what was going on was because he was playing through a nice Amp. U2 uses VOX AC-30’s. Coldplay uses Fender Deville’s. Brad Paisley uses Dr. Z. Buddy Miller uses Swart. Metallica used Marshalls and later Messa Boogie’s. The point is that if you have an electric guitar and you have money you’ve saved up you would often be better off getting a good amp than a bunch of effects pedals.

What’s the Point?

It’s worship all about Jesus and not about gear? Yes. but if you look at your pastor’s office you’ll probably find a lot of books (commentaries, maps, histories, dictionaries). Maybe he has a computer with bible software or an ipad with all his notes. These are all tools to preach the gospel and teach the bible. Musical gear are tools make music to praise Jesus, serve His church, and share the gospel or respond to Bible teaching in song. Just as a pastor needs to learn to put a message together, musical servants in the church need to learn how to put a song together. All for the Glory of Jesus.

The Electric: Pedals

Each Week I’ll try and address different practical aspects of playing the electric guitar in church music.

This week we’ll talk about Effects Pedals.

The electric guitar can be an amazingly versatile tool. You could spend years perfecting the sounds you can get just from messing with the volume and tone knobs and pickup selectors. Then you add pedals to the mix and you basically have a stringed synthesizer at your disposal. I will say it again, the electric guitar is an amazing tool.

What Pedals Do I Need?

Tuner

If you’re not in tune then you’re not in business. I use the Boss TU-2 Pedal because it’s fairly accurate and you get a lot bang for you’re buck.  The TC Polytune, Korg Pitchblack, and Peterson Strobe Tuners are also very popular and you’d probably do ok with any of them. (I also have the Peterson strobe App for my iphone which is a great tool for the guitarist on the go). If you are just starting out you should probably have (in addition to an electric guitar and amp) a tuner, volume pedal and overdrive. That would be a good start, especially since a lot of amps have effects like reverb built in.

Overdrive/Distortion/Fuzz

Something to give you that “edge” or dirty sound for Rhythm parts on up beat songs, lead worship or to give atmosphere to a song in a minor key. I have several all set to different settings depending on what I need. I’ve been building up my pedal collection over many years so if you’re just starting out I would recommend the Fulltone Plimsoul because it’s incredibly versatile or the Ibanez TS9 because 1. EVERYONE, every guitar player you’ve ever heard of seems to have one and use it. 2. You can get them at a good (cheap) price on Craigslist (which is where i got mine).

Compression

Evens things out, keeps the louds from being too loud, and the quiet from being too quiet. I leave my compression on 99% of the time.

Delay

Get that U2 Rhythem or that Coldplay effect. I use a TC Electronics Flashback but any of the Boss series (DD-3, 5, or 7) would do just fine. Note: some of the delays with all the bells and whistles are also the most time consuming to dial in… take that into account before you buy.

Tremolo

Great effect to fill in the sound of a song, give it atmosphere or just sound cool. Several amps I’ve had over the years (VOX AC15, Fender Vibro Champ) have had this effect built in so you may not need the pedal. I use a Fulltone Supa-Trem and love it but a Boss TR-2 would work just fine for a lot less (another great Craigslist option)

Reverb

Again, many amps come with this build in. Reverb is basically that sound you get when you’re in a room so big the echos start to bounce off each other. I usually leave mine on all the time. I just fills the sound in nicely. I use a TC Electronics Hall of Fame. For the money there isn’t much better.

Other options

I don’t use Flanger, chorus, rotary speaker, or phaser but I could see uses for any or all of these pedals in a church band. Just because I don’t use them doesn’t mean you wouldn’t or that they wouldn’t serve the music you play. Did I miss one?

What Pedals Should I Avoid?

For a church band I try to avoid any pedal that is distracting, performance based, not useful or doesn’t fit the sound. A pedal that makes crazy sounds is not only distracting but not practical, and while it may be fun to mess around with, it’s probably a waste of money for what you’re trying to accomplish. If the band I serve with plays CCM, then a heavy distortion is probably not the best call. If you’re playing folk/country hymns do you really need a ‘pulsing filter’ effect?

I have my pedal board set up for versatility (I can do rock, pop, CCM, country, and indie rock) and I’ve gotten rid of pedals that were great but I would never use in a worship setting (Adrennalinn III to name one)

What Makes This Worship and Not Preformance?

That’s up to you. I see my guitar and my pedalboard as a tool to shape a sound that helps people express their love, praise, reverence, adoration, and worship to Jesus through song. I try not to be center of attention, but just another part of the whole. I pick my effects to that end (as talked about above) and use my tools to serve Jesus and His church to the best of my ability. When I’m leading the band on electric or acoustic, I do as little as possible because enough attention is on me as it is. When I’m just part of the band I prefer to hang in the back. It’s starts in the heart, is worked out in practice, and lived in how I play and comport myself.

What’s the Point?

The point as always is to glorify Jesus, serve His church and make good music. These pedals and effects are just tools for that purpose.