Where Do I Put My Volume Pedal?

Where to Put the Volume Pedal?

Now, we’ve talked about signal chain before on the blog (HERE). There’s no right or wrong, only guidelines. Generally compression goes towards the front and reverb goes to the back. But some effects can find a home almost anywhere along the line. Where’s the best spot in your signal chain to put a Volume Pedal (VP)? What are the pros and cons? Is there one VP that’s better than the rest? Let’s talk about it.

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Spring Q&A: What’s the Best Thing and Other Questions

Every so often I look over the search terms from engines like Google and Yahoo that lead people to this blog and turn them into a sort of Q&A. This one is pretty guitar and musical gear heavy but hopefully it’s helpful to someone. (warning, if some of my comments seem like I’m being snarky, it’s because I am 🙂 )

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Should I Use Effects With My Acoustic Guitar

Honestly, I wish this was the question being asked. Should I? But the question is usually phrased more along the lines of “which effects should I use?” This assumes that any should be used at all.

To that end, I want to first ask the question “should I?” and use that to answer the “which ones?” question.

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The Electric: How To Dial In Complicated Pedals

ChaseBlissAudio

THINGS AIN’T LIKE THEY USED TO BE

Some pedals are easy as pie to dial in. The MXR Phase 90 and it’s one control knob come to mind. The Tube Screamer is pretty straightforward: volume, tone, gain… that’s it. (Note: I love both of these pedals)

But as technology has advanced, pedals and their controls have become more advanced and complicated. Some people stay away from pedals with too many knobs or complicated controls. Some people have them, but don’t know what to do with them.

My goal is to walk you through some steps that should help you conquer your fears and expand your guitar tone!

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The Electric: Boss Vs Boutique

Boss effects pedals is the Ford Motor Company of the musical world. The Ford Focus is a great car, the Escape is incredibly popular, and the F-150 is an American institution. Yet on Car magazine covers and wall posters it’s the Ferrari’s, Lamborghini’s and Porches’ that get all the love. The same is true with Boss pedals. The RV-5 is a iconic reverb sound found on records from all across the musical spectrum, yet Strymon get’s all the love. What’s the difference between Boss vs boutique pedals and how should affect how I spend my gear money?

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Gear Review: JHS Twin Twelve

BRAND: JHS

MODEL: Twin Twelve Overdrive

COST: $199

WHAT IT IS: The JHS Twin Twelve is an “amp-in-a-box” style overdrive that emulated the sounds of the vintage Silvertone Twin Twelve 1484 tube amp produced for a few years in the 1960’s by Danelectro for the Sears catalog. It was a low-end budget amp that was over looked in favor of amps by Fender, Vox, and Marshall. Up until a few years ago, you could find them for dirt cheap on eBay. Then artists like Beck, Jack White, Death Cab for Cutie, and even Coldplay started recording with them. The lead riffs on Death Cab’s “Your a Tourist” and Coldplay’s “Always In My Head” are both from a 1484 amp. In part because of this, a Twin Twelve amp now goes for 4 to 5 times what you would have paid a few years back.

I tried the JHS Twin Twelve with just about every pedal I own, as well as straight in to my Fender Princeton Reverb from my Danocaster Jazzmaster and my Fender Telecaster.

The Twin Twelve includes an active EQ for treble and bass like you’d find on a real amp, and a drive knob that controls the amount of gain. While the original 1484 amp didn’t have a master volume, Josh and his crew have added a Volume knob that accomplishes that feature, which is where all the pedals flexibility comes in.

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Gear Review: The Mad Professor Silver Spring Reverb

BRAND: Mad Professor

MODEL: Silver Spring Reverb

COST: $195

WHAT IT IS: The SSR is a classic sounding “space” reverb. Space reverbs emulate the sound of reflections in a room, hall, church, cathedral or even bathroom tile. Spring reverb is essentially a “space” reverb but gets it’s own category because of the sonic quirks of mechanical spring tanks.

The short version is that the Silver Spring will emulate the sounds of an amp spring, a room/hall or studio (plate) reverb. The tone knob is really mislabeled. While it does affect tone, it really controls fidelity. Turned all the way to the left and you have a lofi “amp spring” sounding reverb. At noon, the tone knob makes a great room sound and all the way to the right you get a hifi plate/studio reverb.

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