My Worship Pedalboard

Every so often I get asked in the comments what kind of gear I use on a Sunday morning. While certain things change from time to time, I’ve been consistent over the years with a Fender Telecaster and a Tube Amp (currently my beloved Benson Monarch.)

Below is a quick rundown of my main rig. It’s a rig made up of compromises. Since it’s not the biggest in size, I can’t have everything I want, so these pedals are compromises that allow me to get the sounds I need within the constraints I have set before me.

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Backing Tracks: What I use and How I Got There

What I use and How I Got There

Multi-tracks, Backing Tracks, and Pads have become more and more mainstream in music in recent years. It’s not just in the church, but its not uncommon to go to shows and concerts and see well known bands with Pads or Backing Tracks going on in the background. I remember 2004 hearing it with Coldplay and over the next few years later I started noticing it with smaller bands in at clubs in the Seattle area.

Programs like Abelton and the easy of Apple’s Garage band have put this technology in the hands of church musicians as well. But it’s not just the mega-churches that are doing this. Walk into churches of ranging in size from 50-150 and you could easily hear some form of backing track going on.

I started using ambient Pads in the background about 6 months ago. I want to walk you through my process, how I got here, and why I use what I use.

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Where Do I Put My Volume Pedal?

Where to Put the Volume Pedal?

Now, we’ve talked about signal chain before on the blog (HERE). There’s no right or wrong, only guidelines. Generally compression goes towards the front and reverb goes to the back. But some effects can find a home almost anywhere along the line. Where’s the best spot in your signal chain to put a Volume Pedal (VP)? What are the pros and cons? Is there one VP that’s better than the rest? Let’s talk about it.

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Spring Q&A: What’s the Best Thing and Other Questions

Every so often I look over the search terms from engines like Google and Yahoo that lead people to this blog and turn them into a sort of Q&A. This one is pretty guitar and musical gear heavy but hopefully it’s helpful to someone. (warning, if some of my comments seem like I’m being snarky, it’s because I am 🙂 )

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Should I Use Effects With My Acoustic Guitar

Honestly, I wish this was the question being asked. Should I? But the question is usually phrased more along the lines of “which effects should I use?” This assumes that any should be used at all.

To that end, I want to first ask the question “should I?” and use that to answer the “which ones?” question.

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The Electric: How To Dial In Complicated Pedals

ChaseBlissAudio

THINGS AIN’T LIKE THEY USED TO BE

Some pedals are easy as pie to dial in. The MXR Phase 90 and it’s one control knob come to mind. The Tube Screamer is pretty straightforward: volume, tone, gain… that’s it. (Note: I love both of these pedals)

But as technology has advanced, pedals and their controls have become more advanced and complicated. Some people stay away from pedals with too many knobs or complicated controls. Some people have them, but don’t know what to do with them.

My goal is to walk you through some steps that should help you conquer your fears and expand your guitar tone!

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The Electric: Boss Vs Boutique

Boss effects pedals is the Ford Motor Company of the musical world. The Ford Focus is a great car, the Escape is incredibly popular, and the F-150 is an American institution. Yet on Car magazine covers and wall posters it’s the Ferrari’s, Lamborghini’s and Porches’ that get all the love. The same is true with Boss pedals. The RV-5 is a iconic reverb sound found on records from all across the musical spectrum, yet Strymon get’s all the love. What’s the difference between Boss vs boutique pedals and how should affect how I spend my gear money?

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