Gear Thoughts: The MXR Carbon Copy

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

Editor’s Note: Normally, I wouldn’t do a write up on a piece of gear that I’ve never played. Even if I have played or used something, if I haven’t had enough time with it I won’t review it because I really want to know what I’m talking about. But since we are in the Month of Delay, I’m making exception and writing down thoughts on delay pedals that I’ve only played a few times or have only heard YouTube demos of, so please take these for what they are.

MXR

I love MXR. I’ve never come across an MXR pedal I didn’t like, and their Carbon Copy analog delay doesn’t seem to break that trend.

The Carbon Copy is a bucket brigade, analog delay that features built in modulation. I admit I’ve never played on, so everything I’m going to write is based on other reviews and YouTube clips. The pedal costs $150 new and is available just about everywhere.

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James Duke Interview

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

David Santistevan interviewed guitarist James Duke recently for the “Beyond Sunday” podcast. James has played on records for artists like Matt Redman, John Mark McMillan, Elevation Worship and others. He has his own band called “All The Bright Lights”. The delay pedal is a huge component of his guitar tone. Hopefully you find this worthwhile.

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Gear Review: Kilobyte Delay

Photo on 3-7-14 at 1.54 PM #4

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

 BRAND: Caroline Guitar Co.

MODEL: Kilobyte LoFi Delay

COST: $199

DO I OWN IT?: Yes

PROS: A worship guitarists needs versatility on their rig. Never more so than with their delay pedal. I can do almost everything with the Kilobyte. Rythmic/U2 delay. Slapback rockabilly/country. Ambient/atmospheric delay. This pedal can cover a LOT of ground sonically. (The pic above shows me and my Kilobyte with my settings at U2-ish).

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Why Use Delay

This article is part of The Month Of Delay at the Real World Worship blog. All throughout the month of March we will be looking at different aspects of the delay effect in worship music.

 

There has been a lot written about “HOW” to use the delay effect, specifically in worship music, but less said about “WHY”.  The how may not help you at all until you know the why. For example, if someone is asked about how to use your delay pedal, and they tell you “How” to set it up for slapback sounds, would that help you if you want to create ambient swells? Or if you are playing a lead part, do you want to know how to set up your delay pedal for the rhythm guitar? These are of course rhetorical questions, but they make the point, so in this post we will look at 4 reasons “Why” you would want to use a delay pedal in your worship service.

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Review: Borderland by John Mark McMillan and Other Thoughts

My friends at the Church Collective blog reviewed the new John Mark McMillan record “Borderland” so I don’t have to.

I’ve been a fan of John Mark’s music since “the Medicine”. I hadn’t heard the song How He Loves before that record so I don’t have the hang ups that a lot of people have with it. Since then John Mark released one of my favorite records of the last 5 years: Economy, and now he’s back with Borderland.

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LENT

Lent is here… Or at least thats what Facebook told me.

Lent is an old church tradition of Fasting from something in the 40 days leading up to Easter. Eating, drinking, media consumption, social media, etc.

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The Month Of Delay

For whatever reason, and whether you like it or not, the delay effect has become a sound synonymous with modern church music. Staples like Hillsong, Paul Baloche, and Chris Tomlin, along with newer voices like Gungor and John Mark McMillian all employ the delay affect to varying degrees in the music.

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