One Trick Ponies & Swiss Army Knives
I saw a really good blues/rock band the other day. They were really good and looked like they were having a lot of fun doing it. I noticed how simple the guitar set up was: Fender Stratocaster into an Orange Tube amp. No effects besides a compressor and the amps gain or “dirty” channel. I was really impressed and kind of ashamed at the size of my rig, until I realized… He’s only set up to do one thing. Church bands don’t work that way.
Even if your church is solely CCM (Chris Tomlin, Phil Wickham, David Crowder, Mercy Me, etc) that is a wide range of sound. Playing electric guitar would be a little bit different for each of those bands.
The point I’m making is that we don’t have the luxury of being set up for one thing like the blues band. If we want to serve better we need to be set up for variety both short term and long term.
The Short Term
This is nothing more than being aware of versatility. I’ve got more than one guitar playing friend who say they can only do one thing. I know thats not true. I know they are immensely talented and gifted by God.
The issue for my friends is to mentally move past being a one trick pony and become a Swiss army knife: yes I can rock, but I also know how to fill in or learn a new chord past AC/DC power chords.
The short term answer is nothing more than a mental decision to see the world in a little bit bigger way
The Long Term
In an earlier edition of “The Electric” I talked about the 3 overdrive pedals I use. But the truth is that for a long time, I only had 1: the Fulltone Plimsoul. The Plimsoul is by far one of the most versatile pedals I’ve ever owned. It represents my desire for versatility. I want to be set up to play country, modern rock, classic rock, indie rock, pop, U2, and ambient/experimental. I want to be able to come in a create whatever sound is needed by the song and by the worship leader.
This is a long term thing. I’ve built up my rig over the years. That’s why you start short term and work long term.
Working It Out
One of the great myths is that you have to have a Fender Telecaster to play country. Don’t get me wrong, it’s great. I have a ’98 American Standard Tele as my primary guitar. But I’ve gotten country tone out of Gretsch’s, Les Paul, and Strats. What a lot of folks don’t realize about the Tele is what a great blues/jazz guitar it is. That being said, for jazz, a Rickenbacker or Jackson might not work out for you so well.
The point I’m making is that some guitars are very specific (Rickenbackers, metal/shredders, etc) in their sound. Some guitars are very versatile. When picking your guitar, look for one that can pull off a lot of sounds. For my money this would be a Telecaster, Les Paul or Stratocaster type guitar. You can get a Tele or Strat with hum-buckers or a Les Paul with tap coils so it can be single coil as well or a Tele or Strat with humbuckers installed.
You know the needs of your band and church, but some pedals do one thing really well, some can do a lot of things. I use the TC Electronics Toneprint series for my reverb and delay and I feel like I’ve only scratched the surface of the sounds I can get. I have 3 OD pedals for 3 different “levels” of gain/overdrive. Other great options: The DL4 delay from Line6. The GT-500 distortion/clean boost from Fulltone. King of Tone OD by Analogman (if you can get it). The point isn’t for me to have more toys, but for me to have more tools.
Most of the tube amps out there have their own sounds but will all work. Fender, Vox, Orange, Marshall, they are all used by musicians in all different genres. I’ve used Ashdown, Marshall, Fender and Vox amps. As a general rule I always go with tube amps, although I’ve seen some solid state amps that sounded just fine. currently I use a Egnater Tweaker 15 that is capable of getting Marshall, Fender, and Vox voicings while being all analog.
If you want to be versatile, then there is no easier way than going digital. I used a POD XT Live and Variax digital modeling guitar for several years, and it was VERY versatile. It also didn’t sound right. It was 70% at best. Digital can be a great short term solution. You can get a lot of sounds and options for a great price. But in the long run (with a few exceptions, mostly delay) you will get better quality and flexibility by staying analog.
As electric guitar players in a church band, we are musical servants. If we show up just doing “our thing”, we aren’t serving. learning about these different aspects of guitar playing help us Serve better. Have any thoughts? Better ideas? Disagreements? Chime in down in the comments section.